Digital Photographs
265 Images
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The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
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Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
Camera:
Lens:
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
Camera:
Lens:
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
Camera:
Lens:
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
Camera:
Lens:
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location: Wanlock Dod
Date and Time: Monday 24 October 2022 at 12:10
Camera: SONY ILCE-7M2
Lens: ASAHI OPT.CO.. JAPAN SMC TAKUMAR 1:1.4/50
Duration: 1/1,000 s
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Pigeon resting on the March Dyke, Wanlock Dod
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The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
Camera:
Lens:
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
Camera:
Lens:
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
Camera:
Lens:
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
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Lens:
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Rylock stock now dots that line,
A whole world atop each stob.
Location: Mine Hill
Date and Time: Thursday 10 November 2022 at 15:27
Camera: SONY ILCE-7M2
Lens: Soligor f = 250mm 1 : 4.5
Duration: 1/60 s
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
Camera:
Lens:
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
Location:
Date and Time:
Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Oreston 1.8/50
Duration:
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
The March Dyke draws a line down the Dod.
Once drystane, turf or ditch?
Whatever was is gone.
Post and wire dots that line,
A whole world atop each stob.
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Date and Time:
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Walk with me.
Tell me everything you want to know.
The name of this hill is…
The name of this hill is…
The name of this hill is…
The name of this hill is…
I will leave you with no gaps.
[All fields marked with an asterisk must be filled in]
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A lens searches the far wind farm.
Drops to patterns made in cut heather.
Then to the monsterous, humped dragon backs of near ridges,
Banded, in soft late sunlight, with pale cropped grass and dark winter ling.
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A lens searches the far wind farm.
Drops to patterns made in cut heather.
Then to the monsterous, humped dragon backs of near ridges,
Banded, in soft late sunlight, with pale cropped grass and dark winter ling.
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A lens searches the far wind farm.
Drops to patterns made in cut heather.
Then to the monsterous, humped dragon backs of near ridges,
Banded, in soft late sunlight, with pale cropped grass and dark winter ling.
Location:
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Walk with me.
Tell me everything you want to know.
The name of this hill is…
The name of this hill is…
The name of this hill is…
The name of this hill is…
I will leave you with no gaps.
[All fields marked with an asterisk must be filled in]
Location:
Date and Time:
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Duration:
Walk with me.
Tell me everything you want to know.
The name of this hill is…
The name of this hill is…
The name of this hill is…
The name of this hill is…
I will leave you with no gaps.
[All fields marked with an asterisk must be filled in]
Location: Wanlock Dod
Date and Time: Friday, 16 December 2022 at 16:50
Camera: SONY ILCE-7M2
Lens: Minolta MD Rokkor 45mm/f2
Duration: 1/80 s
Walk with me.
Tell me everything you want to know.
The name of this hill is…
The name of this hill is…
The name of this hill is…
The name of this hill is…
I will leave you with no gaps.
[All fields marked with an asterisk must be filled in]
Location:
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Walk with me and I’ll fill you in.
This is where it was taken from, extracted by hand.
Broken up, shovelled up, winched up and melted down.
Packaged up and parcelled off,
Leaving rubble and ruins to fill the void.
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Walk with me and I’ll fill you in.
This is where it was taken from, extracted by hand.
Broken up, shovelled up, winched up and melted down.
Packaged up and parcelled off,
Leaving rubble and ruins to fill the void.
The ruins of Glen Crieff Mine
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Walk with me and I’ll fill you in.
This is where it was taken from, extracted by hand.
Broken up, shovelled up, winched up and melted down.
Packaged up and parcelled off,
Leaving rubble and ruins to fill the void.
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Date and Time:
Camera: SONY ILCE-7M2
Lens: INDUSTAR-50-2 3.5/50
Duration:
Walk with me and I’ll fill you in.
This is where it was taken from, extracted by hand.
Broken up, shovelled up, winched up and melted down.
Packaged up and parcelled off,
Leaving rubble and ruins to fill the void.
Location:
Date and Time:
Camera: SONY ILCE-7M2
Lens: INDUSTAR-50-2 3.5/50
Duration:
Walk with me and I’ll fill you in.
This is where it was taken from, extracted by hand.
Broken up, shovelled up, winched up and melted down.
Packaged up and parcelled off,
Leaving rubble and ruins to fill the void.
Location: Whyte’s Cleuch
Date and Time: Thursday 3 November 2022 at 16:24
Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Oreston 1.8/50
Duration: 1/50 s
Walk with me and I’ll fill you in.
This is where it was taken from, extracted by hand.
Broken up, shovelled up, winched up and melted down.
Packaged up and parcelled off,
Leaving rubble and ruins to fill the void.
Location: Whytes Cleuch
Date and Time: Wednesday, 28 May 2025 at 14:28
Camera: FUJIFILM GFX 50S
Lens: Pentacon 2.8/135
Duration: 1/85 s
This is a place of gaps, holes, lacunae.
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Camera: SONY ILCE-7M2
Lens: PENTACON 3.5/200 ELECTRIC MULTICOATING
Duration: 1/320 s
Location: Wanlock Dod
Date and Time: Thursday, 15 December 2022 at 15:33
Camera: SONY ILCE-7M2
Lens: Minolta MD Rokkor 45mm/f2
Duration: 1/100 s
Location: Wanlock Dod
Date and Time: Sunday, 11 December 2022 at 12:17
Camera: SONY ILCE-7M2
Lens: Minolta MD Rokkor 45mm/f2
Duration: 1/125 s
Location: Wanlock Dod
Date and Time: Monday, 12 December 2022 at 12:40
Camera: SONY ILCE-7M2
Lens: Minolta MD Rokkor 45mm/f2
Duration: 1/1,250 s
Location: Black Hill
Date and Time: Wednesday, 28 May 2025 at 12:33
Camera: FUJIFILM GFX 50S
Lens: Mamiya-Sekor 55mm/f1.8
Duration: 1/50 s
Location: Black Hill
Date and Time: Wednesday, 28 May 2025 at 12:32
Camera: FUJIFILM GFX 50S
Lens: Mamiya-Sekor 55mm/f1.8
Duration: 1/60 s
Location: Black Hill
Date and Time: Wednesday, 28 May 2025 at 12:32
Camera: FUJIFILM GFX 50S
Lens: Mamiya-Sekor 55mm/f1.8
Duration: 1/60 s
Location: Wanlock Dod
Date and Time: Wednesday, 28 May 2025 at 14:35
Camera: FUJIFILM GFX 50S
Lens: Fujinon 55mm/F1.6 (M42)
Duration: 1/600 s
Location: Whyte’s Cleuch |
Date and Time: Thursday 3 November 2022 at 16:20 |
Camera: SONY ILCE-7M2 |
Lens: Meyer-Optik Görlitz Oreston 1.8/50 |
Duration: 1/320 s |
Location: Wanlock Dod
Date and Time: Thursday 3 November 2022 at 16:37
Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Oreston 1.8/50
Duration: 1/20 s
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Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Lydith 3.5/30
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Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Lydith 3.5/30
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Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Lydith 3.5/30
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Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Lydith 3.5/30
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Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Lydith 3.5/30
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Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Lydith 3.5/30
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Camera: SONY ILCE-7M2
Lens: Meyer-Optik Görlitz Oreston 1.8/50
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Location: Black Hill
Date and Time: Tuesday 20 September 2022 at 19:41
Camera: SONY ILCE-7M2
Lens: ASAHI OPT.CO.. JAPAN SMC TAKUMAR 1:1.4/50
Duration: 1/15 s
Glen Franka Dam, Lower reservoir
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This is a place of gaps, holes, lacunae.
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Location: Stake Hill
Date and Time: Wednesday 30 November 2022 at 11:24
Camera: SONY ILCE-7M2
Lens: MINOLTA MD ZOOM 35 – 70 mm 1:35
Duration: 1/1,000 s
Location: Stake Hill
Date and Time: Wednesday 30 November 2022 at 11:10
Camera: SONY ILCE-7M2
Lens: MINOLTA MD ZOOM 35 – 70 mm 1:35
Duration: 1/640 s
Location: Stake Hill
Date and Time: Wednesday 30 November 2022 at 11:10
Camera: SONY ILCE-7M2
Lens: MINOLTA MD ZOOM 35 – 70 mm 1:35
Duration: 1/100 s
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Location: Front garden
Date and Time: Sunday 13 November 2022 at 13:17
Camera: SONY ILCE-7M2
Lens: PENTACON 3.5/200 ELECTRIC MULTICOATING
Duration: 1/50 s
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Camera: SONY ILCE-7M2
Lens: Nikon Micro-NIKKOR-P.C Auto 1:3.5 f=55mm
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Location: Stake Hill
Date and Time: Monday 29 August 2022 at 17:03
Camera: SONY ILCE-7M2
Lens: Nikon Micro-NIKKOR-P.C Auto 1:3.5 f=55mm
Duration: 1/500 s
Location: Stake Hill
Date and Time: Monday 29 August 2022 at 17:02
Camera: SONY ILCE-7M2
Lens: Nikon Micro-NIKKOR-P.C Auto 1:3.5 f=55mm
Duration: 1/320 s
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Location: Wanlock Dod
Date and Time: Friday, 16 December 2022 at 12:03
Camera: SONY ILCE-7M2
Lens: Minolta MD Rokkor 45mm/f2
Duration: 1/8,000 s
Location: Wanlock Dod
Date and Time: Tuesday 29 November 2022 at 11:48
Camera: SONY ILCE-7M2
Lens: PENTACON 3.5/200 ELECTRIC MULTICOATING
Duration: 1/8,000 s
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Location: Stake Hill
Date and Time: Friday 23 September 2022 at 14:57
Camera: SONY ILCE-7M2
Lens: ASAHI OPT.CO.. JAPAN SMC TAKUMAR 1:1.4/50
Duration: 1/100 s
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Wanlock Water from Wanlock Dod
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NW from Belton Grain
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Sowen Dod, in shadow, from Wanlock Dod
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West from Wanlock Dod
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Turbines and Trossachs from Wanlock Dod
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Sitka Spruce and Wind Turbines
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WNW from Wanlock Dod II
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WNW from Wanlock Dod
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NW from Wanlock Dod III
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NW from Wanlock Dod II
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NW from Wanlock Dod
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Miners’ Library roof, and tree
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Wanlockhead War Memorial
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Radar service garage and Coronation Wood
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Glen Franka Dam, Green Lowther and Green Trough
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Track to Glen Franka II
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Track to Glen Franka
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North West from Wanlock Dod
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West to Weir’s Vein trees
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Weir’s Vein tree trunks
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East to Weir’s Vein trees
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Glencrieff Cottages in silhouette
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Pet graves, Glen Crieff Cottage
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Barbecue remains, Glen Crieff Cottage
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Glen Franka Dam from radar service road
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Mossy Dam from Southern Upland Way
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Beech trees, Hastings House
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Jackson in silhouette, Wanlock Dod
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Copper Beech buds, Lochnell Mine
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Copper Beech emerging leaves, Lochnell Mine
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Low cloud on Wanlock Dod
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Hare’s-tail Cotton-grass, Wanlock Dod
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Green Lowther from Wanlock Dod
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Beggar’s Brae from Goldscaur
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Middle Moor track from Stake Moss
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Broad-leaved Pondweed on Mossy Dam
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March Dyke from Belton Grain
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Jackson on Stake Hill
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Duntercleuch from Wanlock Dod
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Jackson in snow, radar service road
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New Cove Vein, Whyte’s Cleuch
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Meadow Brown, Dalus Dyke old track
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Hard Fern, Big Stake Cleuch
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Sunlight on Hard Fern, Big Stake Cleuch
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Sky over Wanlock Dod
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Cloud on Lowther Hill
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Coronation Wood, Townhead
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Lenticular Clouds over Green Lowther
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Walk with me and I’ll fill you in.
This is where it was taken from, extracted by hand.
Broken up, shovelled up, winched up and melted down.
Packaged up and parcelled off,
Leaving rubble and ruins to fill the void.
These photographs were made, within a couple of miles walk from my home, between the summers of 2022 and 2025.
Notes on Process
In all the years I’ve lived here, I’ve been documenting this landscape with my phone camera. However, I grew tired of the kind of photographs this was giving me. It’s such an awkward, clumsy and ultimately unsatisfying process. For a start there’s the whole palaver of waking up the phone. If I’m wearing gloves, it can’t read my fingerprint. If I have my hood up, it has difficulty in scanning my face. The next problem comes with trying to make out what is actually on the screen, beneath the glare. Don’t even get me started on the haptics of smearing a temporarily un-gloved finger across the tiny controls on the screen, whilst trying to compose a shot, and all the while the wind is blowing a hoolie and the rain is lashing down. After wrangling all these obstacles I might get a super-saturated, idealised version of what I was actually looking at. Sure enough, everything will appear correctly exposed and focused. However, upon closer inspection, and especially when it comes to making prints, so much of this algorithmically corrected information will just descend into an anodyne sludge.
This is what finally convinced me to start taking my photography of this landscape more seriously. A little research showed me how modern mirrorless digital cameras can be adapted to use a whole range of, cheaply-sourced, old, manual lenses. With this shift I was finally responsible for authoring my own images, free of the generic influence and direction of the smartphone.
For all but two or three of these photographs I used either a Sony A7II camera or a Fujifilm GFX50S camera, along with a wide variety of adapted vintage manual lenses. The RAW files were edited using RawTherapee open-source software.